In the two translations, the largest
variation was the modernization of Dante and Virgil’s relationship and how it
pertains to modern culture. The two’s relationship in the book is one of almost
equal prestige. In the book, Dante finds himself to be such a considerable
talent he often “overshoots” his true intellectual capacity, but he comments
that Virgil was “the only one from whom my writing drew the noble style in
which I have been honored” (canto 1, lines 83-87). Dante is involved in asking
questions of Virgil, and Virgil reciprocates with thoughtfulness and
acknowledgement. Dante chooses to learn from what Virgil tells him, even when
he is reprimanded. Dante’s intelligence and curiosity pair well with Virgil’s knowledge
of the situations at hand and a mutual respect is born.
In the satirical movie, Dante is
portrayed as a dense and ignorant individual. He barely recalls even hearing
about Virgil prior to encountering him as his guide, lending the suggestion
that he “may have learned about him in class once”. Dante is nothing more than
an “Average Joe” whose going down the wrong path, while Virgil retains his
talented and eloquent persona. Modernization is first evident in the way in
which Dante shows his lack of appreciation for the skillful design of hell. He
seems so engaged with the topical situation of leaving hell, he ceases to
realize the opportunity to learn from Virgil and engage in meaningful change.
The movie seems to suggest that the
art of analysis and problem solving is lost on modern generation, dooming it to
continue on its destructive path. In the book, Dante wants to learn from Virgil
and be the “messenger” for the natural world in order to “save” others from
this fate. Because he thinks of himself favorably, Dante was probably doing
this for his own glory than the favorable fate than others, but nonetheless he
ventured beyond his narrow view by developing a relationship with Virgil and
the souls he encountered. Dante in the movie was much more concerned with his
own wellbeing and was too concerned with a timely exit to bother with growing
from the situation. He identifies that he needs to change, but doesn’t realize
his opportunity to do so lies in the knowledge and relationship of Virgil and
his current environment. Virgil recognizes that Dante needs to be “saved” and
tries to show his distress at Dante’s ignorance both verbally and by physically
hitting him. The movie itself seems to relate Dante to a modern person who is
looking for answers as much of this generation’s youth strives to do, but Dante
doesn’t recognize these opportunities for education and positive change in
Virgil and his situation, even when it “hits” him. This modernization shows
Dante caring more about the destination than the journey which comments on
society’s current obsession with quick fixes rather than evolutionary change,
making it difficult to positively change society despite the resources at its disposal.
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