Trujillo
is described as being powerful in the almost supernatural nature. During his reign,
he controlled everything and everyone and swiftly punished those who defied his
demands. His power is so expansive that “to say his name aloud or even to hear
it is to invite calamity on the heads of you and yours” (Díaz 1). The mention
of his name was an invitation to be cursed. Trujillo was associated so strongly
with fukú that he could not be talked about. Trujillo also has several
nicknames as noted in the footnote on page 2; he was “also known as El Jefe,
the Failed Cattle Thief, and Fuckface” (Díaz 2). Nicknames often serve as way to sap power and
to bring a person down in the story. These names are all derogatory and strip away
Trujillo’s powerful veneer. By referring to him with nicknames, he appears to
be weak and horrible rather than invincible and strong.
Nicknames
are also voluntarily chosen by characters as a way to escape familial influence.
Names hold strong connections with ancestral past through the custom of naming
an older or deceased family member or the sharing of last names. While
discussing the name of her unborn child, Beli wants to call him Abelard “because
he’s going to be a doctor like mi papá” (Diaz 137). The name chosen for the
child reflects his future and their expectations for the child. Even before he
is born, the name is expected to be a deciding factor on what he will become. Yunior
may wish to escape this connection to his family when he asks Oscar to stop “calling
[him] by [his] full name” (Diaz 189). Although Yunior may be trying to
establish himself, he is still called Yunior or Junior which I assume is
connected to his father. He will always share some things with his father like
his name and physical characteristics even if he wished he did not. Many characters
wish to escape their families or culture, but fail to fully remove themselves from
its grasp.
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